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Our work

A look at the scenes, equipment and working steps behind the news video we produce, and the kinds of newsroom we produce it for.

On the job

What our shoots and edits look like up close

These scenes show the everyday detail of news production: kit on location, feeds being checked, footage under edit and interviews being recorded. Each one is a step that sits behind a finished report.

  1. Handheld shooting at a developing story

    Handheld shooting at a developing story

    Handheld technique lets an operator move with events and still keep the picture steady. Carys trains new operators in this approach, with attention to framing and to keeping sound usable from the first clip.

  2. Setting up a portable live unit

    Setting up a portable live unit

    A live feed is tested well before air. The engineer checks the signal path, the audio return and the talkback with your gallery, so any fault is found while there is still time to fix it.

  3. Checking sound on location

    Checking sound on location

    Clear sound is recorded at source, with microphones placed and levels watched on headphones. A clean recording on location saves time later and keeps interviews and natural sound fit for broadcast.

  4. Cutting a bulletin package

    Cutting a bulletin package

    Packages are cut against the clock, with picture, voice and sound laid out so that each version can be checked quickly. Daniel keeps the finish consistent so the report sits well alongside your other items.

  5. Lit studio interview

    Lit studio interview

    In the studio, two chairs, controlled lighting and a director and sound engineer give a calm, consistent setting. The same arrangement can be reproduced at your own premises when travel suits you better.

  6. Footage arriving in the newsroom

    Footage arriving in the newsroom

    Material is ingested, named and passed to the right desk. Agreeing the file naming and hand-over steps in advance means producers can find the clip they want without searching through folders.

Who we work for

The newsrooms and teams we usually serve

Our clients are the people who put news on screen: editors, producers and broadcasters who need dependable video quickly. Each group uses our services differently, and we adjust the crew, the format and the delivery route to suit the way their team already works.

  • Regional television newsrooms

    Daily bulletins that need crews on local stories, quick edits and pictures delivered in the house format by a set time.

  • National broadcasters' news desks

    Teams that want extra crew capacity in south Wales, with footage logged and named in the way their editors expect.

  • Programme and current affairs producers

    Producers who need recorded interviews with a director and sound engineer, lit consistently and handed over ready for the edit.

  • Duty editors and planning desks

    Editors who need a crew and a plan for a developing story, with clear contacts and agreed delivery points throughout.

  • Gallery and live production teams

    Teams that depend on tested live feeds from the scene, with clear audio and a named engineer on the line.

  • Newsroom operations and technical managers

    People responsible for ingest, file naming and hand-over, who want footage to move through their systems without delay.

In focus

Live Link and Remote Feeds

This service is for gallery teams and producers who need pictures and sound sent from a scene while a story is still unfolding. Portable units carry the feed back to your gallery, with an engineer looking after it.

Contact
Live Link and Remote Feeds

Tell us the location, the planned air time and who in your gallery will take the feed, so we can test the link with them before broadcast.

Find us

Visit us
14 Wind Street Yard, Swansea SA1 1DP
By phone
01792 410286
headluma

News video production from Swansea: crews, live links, fast editing and studio interviews for television newsrooms and broadcasters across the UK.

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