Studio interviews through the darker months: what to plan for
Carys Llewellyn
5 minutes to read
As the evenings draw in, interviews recorded in a studio or on your premises need a little more thought. Carys Llewellyn sets out what to settle before the winter bookings begin.

Choosing between our studio and your premises
Light in the shorter days
Natural light is the first thing the season takes away. From now until spring, a window that gave a soft, flattering light at noon in summer may give almost nothing by mid afternoon, and what remains is cold and uneven. If we are recording at your premises, we bring our own lighting and treat the window as a bonus rather than a plan.
Mixing light sources is the common trap. A grey sky through the glass, warm bulbs overhead and our own lamps can leave a guest looking green on one cheek and orange on the other. We balance everything to one colour and, where needed, close the blinds and light the scene ourselves. It takes a little longer to set up, so we ask for earlier access to the room on darker days.
Sound problems that arrive with the weather
Rain on a roof light, wind in an air vent, a radiator that clanks as it warms: autumn and winter add noises that a quiet summer room never had. Our sound engineer listens to the room before anything is recorded, and will ask for heating or ventilation to be switched off for the length of the interview if it is intrusive.
This is worth mentioning to your building contact in advance. A guest who has been told that the air handling will be paused for twenty minutes is far more relaxed than one who finds the room suddenly silent and the technicians frowning. Clean sound is much harder to repair afterwards than to capture properly, and good dialogue is what an editor most wants to receive.
Looking after the guest
What to settle before you book the coming months
The best interviews we record start with a short conversation a few days earlier. We ask who the guest is, how long you need, what format the finished clip should take and when it must reach the gallery. With those four answers, our director can plan the shoot, and the editor knows what is coming.
Darker months also bring crowded diaries, so asking early helps. If you expect a run of interviews around a particular event or season of coverage, tell us the likely dates and we can hold crew time. We will confirm in writing before anything is fixed, and the prices page explains how a quotation and invoice work.
Studio interviews do not change in essence when the clocks go back, but the margin for error narrows. Light fades earlier, guests arrive tired and rooms make noises they never made in summer. A little planning on access, sound and the guest's comfort keeps the recording calm and the picture clean. Get in touch through the contact page when you know your dates, and we will work out the rest with you.
More from the newsroom
Cutting News Packages Through the Dark Months of Autumn
Shorter days change the pictures that arrive in the edit. Carys Llewellyn explains what to expect in the cutting room this season and how to keep bulletin packages clean.
Inside the Edit Suite: How Fast Packaging Gets a Bulletin Ready
A look at how our editors turn raw news footage into reports and clips finished to a client's house style and delivered in the format their gallery expects.