What Newsroom Workflow Support Costs and What Moves the Price
Megan Thomas
6 minutes to read
Megan Thomas explains how we price ingest, file naming and hand-over setup, which parts of a newsroom determine the cost, and what to have ready before you ask for a quotation.

The review of how footage moves today
File naming and hand-over rules
Agreeing a naming convention sounds trivial and takes longer than people expect. The rule has to be short enough that a producer will use it at speed, and strict enough that an editor can find a clip at three in the morning without asking anyone. We write it with your people, test it against real recent stories, and adjust until it survives a busy day.
Hand-over rules cover what travels with the footage: who shot it, where, what is cleared for use and what is not, and which pictures are rough. Pricing here depends mostly on how many different kinds of material you handle. A newsroom that takes only its own crews' work is simpler than one that also receives agency pictures, viewer clips and live feeds.
I keep the written result to a page or two, because a long document is one nobody reads during a breaking story.
Setup, testing and sitting with your team
What changes the figure up or down
Several things raise the price, and it helps to know them in advance. Distance matters if we have to travel from Swansea and stay for more than a day. Out-of-hours work, such as setting up during a quiet overnight shift so the daytime team is not disturbed, takes more planning. A newsroom running more than one system side by side will need more testing than one with a single chain.
Other things lower it. A team that already has a rough convention and only wants it tightened needs far less than one starting from nothing. Having a named person on your side who can answer questions quickly saves hours that would otherwise sit unused while we wait.
Ongoing support after the setup is quoted separately and only if you ask for it. Many newsrooms do not need it once the routine has bedded in, and I would not suggest it where the work does not justify it.
How ordering and payment work
You start by writing to us through the contact page, saying roughly how many people handle footage, where it comes from and what is going wrong. We reply with questions if we need them, then send a written quotation that states what is included and what would change it. Nothing begins until you have confirmed it in writing.
After the work is done we send an invoice, which you pay by bank transfer. If plans change before we start, our payment and refund policy sets out what happens, and we will point you to it rather than leave you guessing. There is no online ordering and no card payment; it is a conversation, then a document, then an invoice.
Our Prices page lists current figures for the workflow service alongside our other work, so you can see what a typical engagement costs before you write.
The cost of workflow support is mostly my time and your team's, and it rises with the number of places footage comes from, the number of people who touch it and the amount of testing needed. A small, well-described problem is cheap to solve. If you tell us honestly how footage moves through your building now, we can give you a straight figure and a clear idea of what you will have at the end.
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